Tattoo portfolio
Finished work.
Real skin.
Every piece starts with a person—not a preset. Here is a cross-section of Hanz’s color, black-and-grey, ornamental, illustrative, and personal work.
ColorBlack & greyArt NouveauIllustrative
01
02
03
04
05
06
07
08
09
10
11From the sketchbook
The thinking behind the tattoo.
Loose ideas become clear, body-aware designs through drawing, conversation, and restraint. These are studies—not repeatable flash.

One idea, three stages
Rough sketch → refined drawing → finished tattoo.
The first sketch captures the energy. The next pass solves the structure. The tattoo brings both together while adapting the design to the body, the skin, and the realities of the medium.
See a direction you connect with?