Tattoo portfolio

Finished work.
Real skin.

Every piece starts with a person—not a preset. Here is a cross-section of Hanz’s color, black-and-grey, ornamental, illustrative, and personal work.

ColorBlack & greyArt NouveauIllustrative
Deep red Art Nouveau floral thigh tattoo01
Wild floralsColor · Art Nouveau
Black and grey classical portrait with moth and ornamental frame02
Classical portraitBlack & grey · ornamental
Color rabbit creature with pink flame and yellow lightning03
Electric rabbitColor · character work
Realistic dog portrait inside a black paw print04
Best friendBlack & grey · memorial
Geometric multicolor moth tattoo05
Prismatic mothColor · geometric
Red sacred heart tattoo wrapped with a crown of thorns06
Sacred heartColor · symbolic
Color bird inside a red ornamental frame07
Ember birdColor · illustrative
Black and grey twin cameo with rosary and moth08
Twin cameoBlack & grey · realism
Mirrored black and grey birds across both forearms09
Mirrored wingsBlack & grey · paired work
Jewel-toned realistic hummingbird tattoo10
Jewel hummingbirdColor · realism
Illustrative seated woman wearing a flowing blue dress tattoo11
Blue dressColor · minimal illustration

From the sketchbook

The thinking behind the tattoo.

Loose ideas become clear, body-aware designs through drawing, conversation, and restraint. These are studies—not repeatable flash.

Electric rabbit tattoo shown beside its rough sketch and refined line drawing

One idea, three stages

Rough sketch → refined drawing → finished tattoo.

The first sketch captures the energy. The next pass solves the structure. The tattoo brings both together while adapting the design to the body, the skin, and the realities of the medium.

See a direction you connect with?

Use it as a starting point. Your piece will still be yours.

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